
KINZANG DORJI TSHERING | Thimphu
Bhutan’s local rock music scene is gradually gaining recognition, driven by passionate musicians who are blending traditional Bhutanese culture with modern rock sounds. Despite challenges such as limited financial support, access to quality studios, and a small professional ecosystem, local artists continue to pursue their passion and aim to represent Bhutan internationally. Musicians like Rabi Kumar Ghalley, drummer of North H, and Sangay Tenzin and Ganesh, bassist and lead guitarist of Queens Men, are at the forefront of this movement, preparing to showcase their talents at events like the Asian Rock Fest.
Rabi Kumar Ghalley shared that his journey in music was inspired by exposure to diverse musical genres, particularly rock. “Listening to different kinds of music, especially rock, inspired me to start my musical journey,” he said. He highlighted that the local music industry still favors mainstream genres such as pop and rap, but recent live performances have given rock music a growing platform. “Whatever kind of music we produce, we must sometimes give it a Bhutanese taste so that it sounds unique,” Rabi Kumar Ghalley added.
While talent is abundant, financial challenges remain a significant hurdle. “The main challenge is to stay dedicated and motivated as there is no proper financial support apart from performing shows,” Rabi Kumar Ghalley noted. His participation in the Asian Rock Fest is driven by the desire to learn from international rock legends and to perform on a larger stage. “The rock legends and masters all over the world will always be my inspiration,” he said.
Sangay Tenzin, bassist of Queens Men, echoed similar sentiments about Bhutan’s growing but developing music scene. “The industry is growing, and there’s a lot of young talent. But it’s still small and developing. Emerging artists need more support, platforms, and professional guidance,” he said. Challenges such as limited studios, funding, and promotion are common, but they also provide opportunities to learn and grow.
Sangay Tenzin is preparing to participate in the Asian Rock Fest, motivated by the opportunity to represent Bhutan and gain international experience. “What motivates me is the chance to represent Bhutan, learn from international bands, and share my style of music on a bigger stage,” he said. He also learned valuable lessons from other Asian bands, particularly about stage presence, teamwork, and professionalism. “Seeing how confident and creative other bands are motivated me to improve my own performance and sound,” Sangay Tenzin added.
Ganesh, lead guitarist of Queens Men, highlighted the importance of blending Bhutanese culture with modern rock music. “Mixing our cultural identity with modern styles lets me create something unique and meaningful. It helps preserve our traditions while still connecting with today’s youth,” he said. Like his band mates, Ganesh sees the Asian Rock Fest as an opportunity to reach new audiences and improve as a performer. “I’m motivated by the chance to represent Bhutan proudly and to share our sounds with a wider audience,” he explained.
All three artists agreed that performing internationally differs greatly from local shows. Rabi Kumar Ghalley said, “Our local audience is not used to these kinds of music. International audiences understand the music and seek uniqueness.” Sangay Tenzin described international performances as energetic and inspiring, providing a chance to step out of one’s comfort zone. Ganesh noted that larger and more diverse audiences push him to improve as a performer while maintaining Bhutanese identity.
Digital platforms such as YouTube, TikTok, and Spotify are also playing a key role in expanding their reach. Rabi Kumar Ghalley mentioned that these platforms help him reach wider audiences but emphasized that rock is about authenticity rather than fame. Both Sangay Tenzin and Ganesh highlighted how these platforms allow them to connect with international listeners, share their music instantly, and grow their fan base faster than relying solely on local avenues.
Through their music, the artists aim to convey the richness of Bhutanese culture and universal themes. Rabi Kumar Ghalley wants to share the joy and energy of playing music. Sangay Tenzin aims to tell stories of love, struggle, and identity, while Ganesh focuses on positivity, hope, and the beauty of Bhutanese life.
They also offered advice for aspiring musicians. Rabi Kumar Ghalley encouraged young artists to listen to a variety of music and practice diligently. Sangay Tenzin advised them to believe in themselves, stay dedicated, and embrace feedback, while Ganesh emphasized courage, passion, and consistent creation.
The journeys of Rabi Kumar Ghalley, Sangay Tenzin, and Ganesh reflect the evolving yet challenging landscape of Bhutanese rock music. Despite limited infrastructure and financial constraints, these artists are pushing the boundaries, bringing modern rock to Bhutanese audiences, and preparing to showcase their talent on international stages such as the Asian Rock Fest, all while staying rooted in Bhutanese cultural identity.

